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Here’s what you see when you open Focused (see below). It has very few features, but it might be all you need on your tablet or phone to get a conversation between two characters. Or they might not be.įocused (Typed) features a stripped down, super-clean interface with attractive typography that let’s you simply, well, get into your screenwriting (or writing). And to be fair, I never emailed the company and asked why this happened. That’s my experience with purchasing this app, but your mileage may vary. Either way, I’m not keen to pay twice for an app, so I will likely never know. I’m not sure what the logic there was, but I assume it was that the company added a lot of features.
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Full disclosure: I reviewed this when it was still called Typed, and when it changed to Focused, I was no longer able to download and use the app without paying for it a second time.
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If you’re looking for a bit more of a “zen” experience for your minimal screenwriting, and are willing to forgo some of the basics any good screenwriting program should have (namely, the actual formatting of your script), then you might like the app Focused from Real Mac Software. I did a review of Slugline a while ago and you can find it here.īelow are a few other minimalist screenwriting apps you might like too, as well as my take on ’em: Focused (formerly known as Typed) A program like Slugline might be more your speed if you need a few more “tools” in your screenwriting app, while still not giving up a lot of the elegance and simplicity of the interface. – all that you won’t find in Highland, and you might need it. Where it excels in elegance and typography and cross-platform simplicity and price, it’s a bit lacking in what I call the Obligatory Palette of Screenwriting Program Features™: revisions, outlining, page locking, character breakdowns, etc. That’s not to say Highland is a perfect screenwriting platform for everybody. Not to mention Highland files are openable with any text editor, making them super easy to share or backup or open across a variety of platforms, old and new. Seriously, my scripts look really nice with this app. Highland has some other great features as well, including a “Dark Mode” for writing in low-light situations (or if you just like writing scripts with a darker screen and bright text), the ability to embed notes (great for collaborating).īut Highland’s true strengths, in my opinion, are its lightweight, elegant interface and its typography. And it imports and exports just fine to/from Final Draft and PDF. It was created to facilitate the conversion of files between the Fountain markup (a screenwriting markup/set of rules that enables easy creation of properly formatted screenplays using any simply text editor) and Final Draft and PDF. Ironically, Highland’s creator, podcaster and big mucky muck John August, never intended Highland to be a screenwriting program.
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That right there, my fellow screenwriters, is a prime example of a piece of screenwriting software getting the hell out of your way. A slugline, some action, a few dialogue lines, a parenthetical, and some transitions:
Here’s what I typed into Highland, below. But alas, as I’m about to show you, it’s all under the hood. That’s because it doesn’t necessarily look like Highland is formatting your script as you go. The only thing Highland asks from you in return is for you to sort of give up your notion of how a screenwriting app should work. I’m happy to report that Highland does away with the bloat, and it does so in spectacular fashion. So many years dealing with mega screenwriting software suites and clunky interfaces. Upon firing up Highland for the first time and slamming out some words, it occurred to me quite plainly: I’ve been doing it wrong. Here’s a few apps that can help you do just that: Highland But even as helpful as they are, sometimes we happy typists just need all of that to simply get out of the way.
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The idea of Final Draft and Movie Magic Screenwriter 6 and all the other script writing software packages out there is, ostensibly, to liberate the screenwriter from drudgery of formatting her own script.
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We don’t always enjoy fussing over format or margins or how to make a parenthetical look right or whether or not writing “THE END” should be marked in Final Draft as a slugline/scene heading or an action line or just plain “general.” Sometimes we screenwriters, we just want to, well, screenwrite.
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